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Benthall Slow Travel's avatar

MK — I love this concept, and this first installment sets the tone beautifully.

What really works here is how grounded and self-aware your approach is. The 10% annual travel “sanity check” feels both disciplined and generous — aspirational without tipping into performative budgeting. Naming the “Safari” HYSA made me smile; there’s something psychologically powerful about giving a dream its own container and letting it slowly fill.

Your save vs. splurge logic is refreshingly consistent. Coach flights paired with hotels that are part of the experience makes total sense, and I appreciated the honesty about not sleeping on planes and not needing to justify premium seats. The way you describe film photography as a souvenir — images you frame and live with — feels very aligned with valuing experiences over accumulation.

The safari breakdown is especially compelling. Choosing Tanda Tula for ethical reasons, even at a higher cost, says a lot about what you value, and the way you broke down Cape Town + safari costs makes something that feels wildly out of reach suddenly… legible. Still aspirational, but understandable.

And the Vegas regret? Perfect inclusion. It reinforces that “expensive” doesn’t equal “worth it,” and that knowing yourself matters more than chasing marquee experiences. (Also: Phish at the Sphere feels like a rite of passage, even if Vegas itself wasn’t your scene.)

The dream trips at the end are a great contrast — the Belmond train as the fantasy splurge, Babylonstoren as the soulful return. Together, they say a lot about where you’re headed.

If this is what The Travel Bill looks like going forward, I’m absolutely in. It’s rare to see money, values, and travel intersect this cleanly!

– Kelly

ASH's avatar

Love this new part of Table Fries! 👏🏻

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